You think this cover is pretty messed up. And you're right. But be warned, this is just the beginning. It folds out into a full on assault on the senses, a collage of cats heads on girls bodies, superstars of the 50's (Curtis/Taylor/Newman/
There's no way the music could match the impact the cover makes, but the Brighton based boy girl electro-pop duo of Chris Blackburn & Donna Grimaldi are decent enough to give it a go. Opening with 'Let's build a city', it's obvious via smooth waves of Casiotone, beeps, blips and crisp drum sounds that Katsen's aesthetic is drawn from crunchy 8-bit and smooth 80's synth pop. And the combination works most of the time, on the single, in the straight, reverent cover of The Passions new-wave-classic 'I'm in love with a German Film Star'. When things start to go off piste, there's usually a redeeming quality to the songs to make them worthwhile. 'I'm a Doctor' is simplistic and appealing story, but there isn't much to the song. It's made (or saved, depending on whether you see the glass as half empty) by a decaying sample of a child moaning 'Not wellllll'. Their Pixies cover, 'Cactus', is more plaintive than the original, but lacks the meat on the bones that a clanging guitar offers. It feels honest, a good attempt, but slight.
These plusses are balanced out by the ZettaOmegaFail of 'Island in an Island'. Sample lyric: "He's an island in an island in an island, with a camera taking photos of a photograph". It's a looping mantra, a tautological feast. There's a number of ways you could interpret a lyric like that. Could it be a simplistic look at the reflexive nature of photography? A veiled reference to music criticism? A nod to the idea that a moment can never truly be experienced except when lived first hand? As the lyrics circle and the delivery grows more terse, the realisation dawns that it doesn't really matter. The sound is straight from the Shoreditch of old, sounding like it's been knocked together by a bunch of arch Hoxton chimps with Garageband and a G5. Ostensibly, when the naiveté of this duo is taken away, so is their charm.
The title track is a well constructed instrumental held together by a throbbing early Cure bassline (from an actual bass guitar), with what sounds like a half-cut Kraftwerk trying to get a song done in one take playing over the top. The record then does what few albums seem to do, in that it closes strong. 'Constellation' and 'Where nobody can find us' sound like the sort of singles that would have sneaked into the top 100 for a week and made the Festive Fifty in 1984. It closes with another excellent Kraftwerk nod in 'Florian', named after the founding member who left at the start of the year. A paean of fan love, genuine and very pretty, and easily the best thing on here, it shows Katsen as ones to watch. It Hertz! isn't a perfect album , but then I doubt it was created with perfection in mind, and the final few tracks are a pointer to where Katsen could be going. It's good enough, and it shows promise. That's enough for me as a listener. Perfect debut albums are so 2004, anyway.